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Lindstrom claims another triumph in ‘Salome’ opera
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Soprano Lise Lindstrom, acclaimed on opera stages around the world, has scored another triumph with “Salome” at San Diego Opera.
The production ran Jan. 28 to Feb. 5, earning standing ovations and adoring reviews. It’s a daring role, requiring the star to bare more than her soul in the famous “Dance of the Seven Veils,” which Salome uses to entice her stepfather, King Herod, to grant her request for the head of John the Baptist after she is rebuked by the imprisoned prophet. “There is a salacious aspect to it, but it’s so integral to the character’s development that it’s impossible not to appreciate its centrality,” Lindstrom, a 1983 graduate of Sonora High School, said by telephone last week between performances. She finds it unfortunate that the dance can overshadow the rest of the opera, which involves “intense, difficult singing for everybody,” she said. “It is irritating that the dance gets so much attention, but I understand why,” she said. The level of nudity is not specified in the libretto, making it a decision between the director and singer, she said. “It certainly varies from time to time,” Lindstrom said. “We decided on a split-second reveal, and even then someone asked me afterwards if I was wearing a bodysuit.” Is it unnerving to stand naked in front of thousands of people? “Of course it is,” she said. “I just try not to think about it. It’s not Lise doing this, it’s Salome. That’s where being an actor comes in handy. It’s part of the character and she’s doing it to get what she wants.” Perhaps even more shocking is the impassioned kiss she gives John’s severed head following a 10-minute singing monologue. “It’s incredibly demanding, one of the most demanding scenes in the repertoire,” Lindstrom said. “And it comes at the end of the night. You can’t use it all up too soon — you have to have something left.” |
